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“And in case you missed it, here’s a quick summary of House of 1000 Corpses: Four teens stop off at the clown-faced Captain Spaulding’s gas station and museum of terror. They become fascinated with the local legend of Dr. Satan and set out to find the tree from which he was hung, but they quickly run afoul of the insane Firefly family. After that, it’s not a case of will they die, but rather how they’ll die. ”
Vital classics dvd Rejects picks up sometime after the events in House, as an early morning raid on the Firefly family compound is led by a vengeful Sheriff Wydell (William Forsythe), the brother of a law officer murdered in the first film. In the ensuing shootout, Rufus Firefly (Tyler Mane) is killed and Mother Firefly (Leslie Easterbrook) is captured. Baby Firefly (Sheri Moon) and Otis Driftwood (Bill Moseley) escape and contact their father, Captain Spaulding (Sid Haig). As the trio cut a bloody swath across Texas, Sheriff Wydell becomes increasingly obsessed with their capture and resorts to more and more questionable methods. The movie culminates in a shootout that is equal parts Thelma and Louise, The Wild Bunch, and Butch Cassidy and the Sundance Kid, not to mention the fact that it’s all in slow-motion and set to Lynrd Skynrd’s Freebird.
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Adult video free no membership The first film was more of a monster movie with the strange Dr. Satan and his hoard of traumatized zombies, not to mention an albino Otis, subterranean caverns, and satanic Halloween ceremonies. For the sequel, Zombie sets much of the film in the light of day and transforms it into something closer resembling an on-the-road crime movie. Think Natural Born Killers but with more madmen to choose from (and that’s saying something). Dr. Satan is gone from the film, and Otis is strangely no longer an albino. This time our killers are more sadist and less supernatural.
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But don’t think for a moment that this franchise has lost its bite. It’s every bit as horrifying as the original, mainly due to the unsettling events which occur when Otis and Baby run across the members of the musical act Banjo and Sullivan at an out-of-the-way motel. If watching Three’s Company vet Priscilla Barnes get raped with a pistol or Eastwood favorite Geoffrey Lewis get beaten to a bloody pulp doesn’t bother you, then you’re obviously made of sterner stuff than the majority of the American viewing audience. This is not a film for the squeamish, as evidenced by the fact that many theaters simply refused to show the movie. Of course, the fact that they managed to work in the F-word over 500 times in 100 minutes probably didn’t help their cause either.